 |
|
|
|
|
|
|
|
A four-note chord built up in 3rds from D (D-F#-A-C). The notes of the D7 chord are often inverted to form a 3-note D7 chord. |
|
|
D.C. |
|
Repeat from the beginning. |
|
|
 |
|
The right pedal, which sustains the sound, played with the right foot. |
|
|
|
|
Da Capo al Fine. Return to the beginning and play until Fine (end). |
|
|
|
|
The middle section of sonata-allegro form. Melodic fragments of the exposition themes are treated
through modulations (changing keys) to build tension. |
|
|
|
|
Sweetly. |
|
|
 |
|
D.S. - Return to the sign. |
|
|
 |
|
Three counts or beats. |
|
|
|
|
And (Italian). For example, cresc. e rit. |
|
|
espr. |
|
Expressively. |
|
|
|
|
The first section of sonata-allegro form. The exposition presents the 1st theme, 2nd theme, and an
optional closing theme. In the classical sonata the exposition repeats. |
|
|
 |
|
Hold this note longer than usual. |
|
|
|
|
The last movement of a symphony, sonata or act of an opera. |
|
|
|
|
End here. |
|
|
 |
|
Play the 1st ending and repeat from the beginning. Then play the 2nd ending, skipping over the 1st ending. |
|
|
 |
|
A flat lowers a note one half step. |
|
|
|
|
An early Portuguese dance form that provides the basis for variations. |
|
|
 |
|
Forte then piano (loud, immediately followed by soft). |
|
|
|
|
The interval of a fourth spans four letter names (Ex. C up to F, or G down to D). On the staff: line-(skip-a-line)-space,
or space-(skip-a-space)-line. |
|
|
|
|
A fiery Bohemian dance in 3/4 meter, with shifting accents. |
|
